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Sid Dickens Memory Blocks

SID DICKENS - MEMORY BLOCKS

Making, Displaying, & Installing
Biography of the Artist

 

From his studio in Vancouver, British Columbia, elusive artist Sid Dickens issues forth his Memory Blocks, timeless and enchanting works in plaster.

Two seasons a year, new Memory Blocks are introduced in thematic collections that hearken to motifs as varied as classical architecture, history, religion, nature, and fairy tales. Each 6 x 8-inch tile is handcrafted in intricate detail and finished to a porcelain-like quality or cracked with the look of weathered stone.

Each one is pre-drilled on the back side for easy hanging and can also be displayed on a shelf or an art stand. With approximately one to two dozen Blocks retiring each year, this is a constantly changing collection that appreciates in value and meaning and grows in mystique and allure over time.

Due to our agreement with the artist, we are unable to sell the Blocks online through our shopping cart. However, we would be delighted to assist you in beginning or growing your collection.  

Please visit Sid Dickens' website for a closer look at his Active Collection, then
e-mail us at lpmgifts@yahoo.com or telephone our store at (209) 984-3585 to get information on availability and prices.

Please note that because we are an exclusive retailer for Sid Dickens, we are able to offer pricing that is competitive with the pricing shown on the artist's own website.


Making
Memory Blocks are hand crafted plaster, 6" x 8" x 1 1/4", finished to a porcelain-like quality, cracked to create an aged look and feel.

Sid Dickens' work is produced by a group of 30 young emerging artists in a studio space in Vancouver, Canada. Each Memory Blocks is hand poured hydrostone plaster, all tiles are hand painted (the Iron Series requires 3 coats), silver and gold leafing is done by hand, and finally the Memory Blocks are hand stained. We consider each Memory Block a piece of art, there are over 5 people that do work on each one of them. There are many copies on the market, which have the look of being mass produced, as most of them are. The hours of work that go into creating each Memory Block make them each an individual collectible treasure.

Displaying
Sid Dickens Memory Blocks are best displayed in wall-mounted groupings. The size of the groupings is unlimited. One prominent collector displays 80 Memory Blocks in the foyer of her home. You can start with a single tile and build your collection according to your budget. Unlike static works like paintings, Sid Dickens Memory Blocks can be grouped in many arrangements of different sizes, shapes and sequences. As your decorating needs, feelings and moods change, your display can also change.

These Memory Blocks provide an affordable way of decorating your home with hand crafted original works of art at a starting price far below that of posters, prints or paintings.

Installing
No framing or installation costs are required. Only the simplest measurements are necessary. Each Memory Block back has been finished with an angled aperture. All you need to do is position a small tack, screw or nail in the wall and hang the tile. No additional supports, braces or mounts are necessary. Any individual can hang them.


Biography of the Artist

Sidney Michael Dickens was born in 1963 in Prince Rupert, a small rural fishing town on the rugged West Coast of British Columbia. Until the age of 28 he worked as a commercial fisherman; off-season, he served burgers on the ferries and dedicated his spare time to drawing and painting.

In 1983, Dickens was accepted to the prestigious Emily Carr College of Art and Design in Vancouver. Almost immediately, Dickens found he needed a place to put his ideas into practice. In less than a year, he had opened his first studio and began to develop the processes and practices which would eventually culminate in the unique style of his work we see today.

In 1987, after an inspirational trip to Europe that Dickens regards as pivotal to his artistic development, he relocated his Vancouver studio to a waterfront location on the Queen Charlotte Islands (Haida Gwaii) at the most North Western point of Canada's British Columbian coast. The elemental beauty of this secluded, mythic wilderness enlarged Dickens's vision and he began what would be an important process in his artistic development. Unable to afford traditional art supplies, he began to experiment with a multitude of mediums including metal, wire, mud, leaves and whale bones salvaged from the beaches. He taught himself to weld using scraps of copper he salvaged from the island's logging industry, a development that led to a line of body sculpture featured in numerous fashion publications.

In 1988, one of his assemblages, created entirely of organic materials, was chosen for the poster of a retrospective of young Canadian artists held at the Museum of Natural Sciences in Ottawa, Ontario. It was during this trip that Dickens became aware of the "business of art", a realization that would prove invaluable to him in his future. Combining the elements of both a fine artist and a mad alchemist, Dickens continued to develop a personal vision, a synthesis of nature and time, and the elements that link our past to our future.

In 1989, Dickens attended the Instituto De Allende in the internationally renowned artists' colony of San Miguel de Allende in the north central mountains of Mexico. For two years he studied sculpture and bronze casting, and began a spiritual journey that would later take him to such places as Egypt and Peru where the influences of these cultures are evident in his work.

During his travels, Dickens spends considerable time conducting research. It is through this distillation process that Dickens has honed his ability to interpret ancient art for modern day sensibilities. Finding artistic beauty in the relics and cast-offs of our historical past is just one of his trademarks. "The images of time are virtually endless," says Dickens, "It's just a matter of reinterpretation, a slight adjustment, a modern perspective, if you will."

In 1991, Dickens returned to Vancouver and established a new studio in the historical heart of Vancouver. It was here that he found his preferred medium of plaster and created the first prototypes for his series of 6 by 8-inch decorative wall plaques, naming them "Memory Blocks".

Today, his Memory Blocks are internationally acclaimed. They have attracted the attention of both celebrities and media alike. Stars such as Jann Arden, Sarah McLachlan, Allyssa Milano, Cher, Vanessa Williams, and Hilary Duff are avid tile collectors.

 

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Memory Blocks
Memory Blocks are available through an exclusive arrangement with the artist, Sid Dickens.  They may only be purchased by contacting us at (209) 984-3585.
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